Aurofilm
Aurofilm is Auroville’s cine service under SAIIER. Its purpose is to do research, study, as well as promotion of the best values of Cinema and by doing so opening the audience to discernment and discovery. For that every Friday evening we offer a film screening at MMC, Town Hall with films selected from a large range of categories (international, Indian, recent, old, “classics”, children’s films, documentaries, experimental, etc. Our workplace/studio is located in Kalabhoomi in the Cultural Zone of Auroville. There we produce films and propose regular classes: film appreciation (“Cine-master-class”), history of cinema, a special programme on animation, and other related issues. Once a year (in February or March) Aurofilm organizes a 3-day film festival with the presence of film directors, actors, technicians, and film critics.
History
Aurofilm, the oldest cinematic film department of Auroville, was started at the end of the seventies with the late Gérard Carabin, an Aurovilian of French nationality with a passion for cinema. Gérard started to organise the screening of films in the communities (the name we give to the Auroville settlements) of Aspiration, Certitude, Bharat Nivas and Fraternity. In these early days, the available equipment was 16mm film projectors brought by a German Aurovilian, and then a new 16 mm Indian projector was added (Photophone). Film prints were borrowed from Cultural centres, Embassies and High Commissions in India. Aurofilm was also registered in the Federation of Film Society of India. This portable projection equipment was also used sometimes by Aurovilian volunteers for educational documentary film screenings in the surrounding villages.
When SAIIER (Sri Aurobindo International Institute of Educational Research, 1983) was created under the inspiration and fantastic energy put in by Sri Kireet Joshi and a dedicated team of Aurovilians around him, it was only natural that Aurofilm joined as one of its activities. With this move, Gérard could equip the service with a set of 2 sturdy portable 35 mm Russian projectors. The choice of film titles could thus be greatly increased -35 mm being the professional gauge or format for film projection. From that time only could we access the film library of the NFAI, the National Film Archive of India in Pune, with their collection of Indian and worldwide classics (many Bergman, Kurosawa, Antonioni, Eisenstein, some Godard and Truffaut, etc. some rare films like the silent Japanese classics “The Island” and, of course, the Indian masters like Satyajit Ray and Ritwik Ghatak or G. Aravindan. The NFDC, National Film Development Corporation in Mumbai, was also a great source of rarely seen (because not widely distributed) productions of contemporary Indian Cinema. Thanks to NFDC we could all discover the work of Adoor Gopalakrishnan, Shyam Benegal, Mani Kaul, Gautham Ghose, Aparna Sen, and such great actors like Om Puri, Naseeruddin Shah, Smital Patil, Shabana Azmi and many others… The American companies based in Chennai would sometimes and suddenly provide Woody Allen, Terrence Mallick, Akira Kurosawa or some other more commercial but screenable films for our discerning eyes, among their usual action or romantic recipe fares… Gérard was very choosy: no vulgarity or “commercial” compromise was allowed!
The Mother had envisioned “…a cinema studio, a cinema school…” in Auroville. Auroville Film Institute is an effort towards manifesting that vision. The overall curricular approach is inspired by the Mother’s Dream wherein she speaks of a place where one “would be able to grow and develop integrally…; where education would be given not for passing examinations or obtaining certificates and posts but to enrich existing faculties and bring forth new ones…; Where work would be a way to express oneself and to develop one’s capacities and possibilities while being of service to the community as a whole…”
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